Resident, Staff, Curator Resident, Staff, Curator

Ian Gamble

Ian Gamble is a multimedia artist with strong ties to artists, farmers, and old time musicians in Rockingham County, NC. He hosts visiting artists and facilitates their work for the rural outreach project at Reckon Holler, a creative site and art project within his family home in Rockingham. Gamble curated the 2018 Rural Residency, facilitated on-the-ground work, and was a lead artist of Elsewhere Goes To Madison-- an off-site Elsewhere Elsewhere project in partnership with Reckon Holler.As a maker, Gamble toggles between carpenter, potter, sculptor, and tailor. Gamble was also an Elsewhere Curator in 2007 & 2008. While at Elsewhere in 2007, he produced The Skyscraper.

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Susannah Mira

Philadelphia, PA

May 1, 2008 - May 31, 2008

website | susannah mira dot com

Susannah Mira completed her master's degree in Environmental Art at the University of Art & Design Helsinki in 2008. Born in San Francisco and raised in a nondescript Philadelphia suburb, she champions a highly itinerant artistic practice based out of a late '80s model station wagon. Currently, the Mesilla Valley of southern New Mexico is home.

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Les Caison III

Greensboro, NC

April 16, 2008 - May 27, 2008

website | les iii dot com

North Carolina artist Les Caison III offers considerations of life every day.  He paints and illustrates, layering oil and graphite capturing moments of life just before or just after . . . whether portraiture, urban landscapes, or narratives Les offers just a little bit more for you to gnaw on.  This young internationally collected artist enjoys offering visual communication to the masses, citing a responsibility of the visual artist to display, provoke and interact with others.

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Guerra de la Paz

Cuban born American artists Alain Guerra and Neraldo de la Paz are the collaborative duo Guerra de la Paz . Originally sourcing their materials from the waste bins of second-hand goods shipping companies in Miami’s Little Haiti, Guerra De La Paz make their sculptures from the discarded items of daily life. Viewing their practice as a kind of ‘archaeology’, their work engages with the history inherent in common debris and its possibility for recycled usage.

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