Janelle Beasley is a collage artist from Bloomington, Indiana. She responds to the beauty and absurdity in vintage printed materials, domestic objects, and social guidance films. Using found images as personal symbols, she makes work about the psychology of idealism and morality. Janelle received a BFA in Printmaking from Indiana University in 2013 and is now the Works on Paper Preparator at the Eskenazi Museum of Art.

During her time at Elsewhere, Beasley created Velvet Retreat.

Alex Meiser attends Cranbrook Academy of Art in his home state of Michigan. He creates fun and absurd spaces intended to mirror and shake up social relationships. He is also a long time participant of Site:Lab, an artist organization that creates site specific artist installations in Grand Rapids, Michigan.

During his time at Elsewhere, Meiser created Nothing Can Be Something

Alix Pentecost-Farren grew up in North Carolina, attended the North Carolina School of the Arts, studied illustration and filmmaking at the Rhode Island School of Design and Illustration as Visual Essay at the School of Visual Arts. Her work often takes the form of sequential images, and has included interactive comics, edifying instructionals, documentaries, mud murals, animations and installations. She has worked on projects for Radical Media, Mason Jar Music, and Nomadique Collective, and her work has been shown in multiple venues in New York and abroad including Pioneer Works, the Society of Illustrators Museum of Comic and Cartoon Art Festival, Rhode Island Independent Publishing Expo, The SoHo Digital Gallery, and the Grace Farms Foundation. Her practice draws on historical research, environmental concerns, humor and mysticism. She lives in Brooklyn, NY.

During her residency at Elsewhere, Pentecost-Farren created Indefinite Progress

Roger Miles's art practice is a combination of immersive installations, performance and the memorialization of found objects. He has used unusual residencies over the past three years as a source of objects and as a way of disrupting his normal work methods. The residencies include those at the local recycling and re-use centre, at a mannequin factory that was closing down, a window in Selfridges London, at the famous Olympic Studios in Barnes, London and at Elsewhere in Greensboro, North Carolina. Whilst studying for an MA at the RCA he created a fictive archaeological dig, excavating 500 dolls house pieces from a solid cube of beeswax. The dolls house pieces were from his late mother’s dolls house collection and the excavation revealed old family stories and memories. Titled, The Battersea Hoard, he presented the installation at the RCA’s work in progress show in January 2017, which was attended by circa 2000 visitors over 3 days. His final MA show in 2018, the Bureau of Found Art Objects, was equally well attended and successful and led onto being part of the 2018-2019 Kaiser Chiefs' curated show, at the York Art Gallery, When All is Quiet. He is currently helping the Olympic Studios pull together its archive of music, images, film and artifacts relating to the its rich music recording history. The owners opened a vinyl record shop opposite the studios in July 2018 and is managed by the artist as its official archivist – this has activated and housed the archive and provides a place where local residents can sell and buy vinyl records.

During his 2016 residency at Elsewhere, Miles created Resonate/Generate.

Megan Blythe Stewart is a theatre artist who creates solo and collaborative devised theatre, performative installations, and community-based theatre projects. She has a long-term fascination with (folk/outsider/visionary) art environment builders, hoarders and collectors. Through her work, she explores the transformations and accumulations that occur within theatre making and the lifelong processes of making oneself at home in the world. She completed her MFA in Interdisciplinary Arts at Simon Fraser University in Vancouver, BC, and currently spends her time traipsing between Canada’s east and west coasts, making art and performance on each side.

During her residency at Elsewhere, Blythe created Elsewear.